Andreia Solomon Burke - Interview
American novelist, born on 30th July 1964 in Brooklyn, New York. Andreia is also an award-winning screenwriter and filmmaker. She wrote, produced, and directed both of her short films, Just Another Angry Black Woman in 2018 and Tumble Weave in 2020 under her independent family-owned production company, A Fave Five Films. In 2007 Andreia, left America and promised herself that she would pursue her creative talents and by 2009 she had written her first successful novel, Relay-tionships and its sequel Forbidden Seduction in 2014. Andreia is a mentor to young writers and filmmakers and encourages them to explore their own career paths in the industry. She have lived in the United Kingdom for 17 years with her family; she travels extensively and enjoys spending time with her family whilst she continues to work on her future projects, Flat No. 8, and The Ten Commandments.
When did you realise you wanted to be a Filmmaker\Writer?
I knew that I wanted to become a writer after I read, Invisible Life by E. Lynn Harris (who unfortunately has since passed away), Disappearing Acts written by Terry McMillian and The Dirty South by Alex Wheatle who is a British novelist. All three authors share a beautiful style of writing that vividly pulls you into their stories and you become one of their characters. However, it was after I read The Dirty South that it gave me the confidence to write my first book, Relay-tionships; followed by its sequel Forbidden Seduction. My transition into screenwriting and filmmaking was birthed after receiving such tremendous feedback from Relay-tionships and I wanted to see it on the big screen. It is still hoped to get it to the cinemas one day.
Do you remember your first time at the Movies?
The first movie that I remember watching was Claudine, starring Claudine Diahann Carroll and James Earl Jones. I am sure that I saw other films prior to this one but Claudine left an impact on me. This film was during the height of blaxploitation; the family struggled horribly and was marred with life challenges, but I remember how much they loved each other and how I oddly wanted to be a part of their dysfunctional family.
If you should change country, where would you like to work?
As my next project, The Ten Commandments is set in Atlanta, Ga, I would have to say America.
Two films that have marked your life for better or for worse…
The Birds and The Bad Seed. Til this day every time a see a massive flock of birds I cannot help but to think of the brilliance of Alfred Hitchcock, and the Bad Seed because that was the first time that I saw
a child die in a movie.
What do you think about Acting/ filmmaking schools?
I believe acting and filmmaking school/courses are helpful to those who feel it is necessary. I took a short film course to learn about shots and other dynamics of filming.
Have you ever hated your ambition?
Never. I do, however, wish I could slow my brain down as I think of so many different projects all at once and will simultaneously be working on more than two to three projects at a time.
Francois Truffaut used to think that "Film Lovers are sick people” … was he right?
That’s funny… I was about to firmly oppose his statement until I thought of film lovers finding films as a sense of escapism which can be linked to dissociation and other negative behaviours. With that, there may be some truth in his statement.
Close your eyes…if I say “Cinema” what do you see?
If I am totally honest… I see my next project Ten Commandments. My daughter and I have been working tirelessly on the script and I believe it will blow audiences away. I thrive on making films that are refreshingly original - I hate watching a film and knowing the plot before after watching a few scenes. There are a few films that did an amazing job of keeping me gripped because the script was excellent, The Witness is one that comes to mind.
Who’s the Director\Writer that taught you the most?
Alfred Hitchcock is one of my favourite directors/producers. He was the innovator of the zoom dolly, and his dark sense of humour was apparent in his films. My first week living in London I couldn’t wait to visit his home.
About your job, tell us your biggest dream and your worst nightmare…
As a filmmaker, I believe I can speak for other filmmakers when I say obtaining sufficient funding for your project is a dream come true. When I attend networking events funding is the chief topic on the minds of filmmakers. My biggest nightmare is if my projects are picked up by a major studio and they change the course of the film to the extent that it’s unrecognisable.
How important is to have a good Cinematographic Culture?
It is important as filmmakers play a pivotal role on film culture with their direction, how they shoot a film and even the music selections in the film.
What would you like to improve as a Filmmaker\Writer?
As a filmmaker: Technical shots, editing the basics of lighting and sound. As an author, editing, editing, editing.
A big producer gives you the chance to direct\to play (in) the remake of one of your favorite black and white movies (if you have one) … what film do you choose?
Mildred Pierce.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
My family is my greatest support system. Even when they don’t agree with me, they are there to offer me sound critical advice. However, they always give me the autonomy to make my own decisions.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
A great film begins with a great script.
What’s your most ambitious project for the future?
My first novel, Relay-tionships because that would mean I was able to get Idris Elba to play the role of the main antagonists in the film.
Which is the worst moment on set?
We had cast who we believed was a good fit for the male lead for our second short film, Tumble Weave. He presented well during rehearsals and was quite pleasant. The day of filming he turned out to be a nightmare, saying very inappropriate things to the female cast and crew. We had to replace him at the next day.
What do you wish to yourself as a Filmmaker\Writer?
To leave a positive legacy for my family to be proud of.
Leslie Flannery - Interview
Hello Leslie! Your screenplay, Proud Girls, is about American politics?
More like a global humanitarian parable.
Isn’t the story about M.A.G.A. Republican destroying democracy? Do you identify with this group?
Sadly, M.A.G.A. Republicans are also Americans so, “Yes,” the Oranges are also my people.
How do you counter their hatred and intolerance?
Using my white privilege I study and chart them. Using my cunning, I curate their misdeeds.
What do you want your fellow American Patriots to know about your mission?
As of October the F.B.I. is monitoring my LinkedIn account.
How do you feel about that?
Leslie: Nailed it!
Why do you think they’re monitoring you?
Probably afraid women are going to overthrow the world and that I’m their leader.
Are you their leader?
Vagina’s unite! I mean, “No comment.”
Donia Youssef - Interview
Donia Youssef is a respected figure in the entertainment industry, known for her myriad roles as an entrepreneur, award-winning film producer, author, acting agent, writer, and philanthropist. With roots in London and the Middle East, she has a diverse cultural background that has enriched her perspectives. A seasoned entrepreneur, Donia is the founder of, a highly esteemed multi-award-winning children's acting and modelling agency in the UK. However, her journey hasn't been without hardships. A cancer diagnosis prompted her to write "The Monster in Mummy", a best-selling book aimed at helping parents discuss cancer with their young children. This success led her to create Monster Publishing Ltd, a publishing house supporting cancer charities. Now a cancer survivor, Donia continues to make significant strides in the entertainment sector. She recently launched Wonder Talent Agency (WTA) and Monster World Studios Ltd, further solidifying her status as a multifaceted powerhouse.
Tell us about your background and when you decided to become a filmmaker/screenwriter?
I've always been a storyteller at heart, but it wasn't until I experienced personal loss that I understood the true power of stories. The death of my sister due to mental health complications inspired me to create "Sadie and the Grove" as a book series initially. Later, I transitioned to filmmaking, believing it to be a more influential medium to reach a wider, younger audience. I decided to become a filmmaker/screenwriter when I understood that I could use this platform to teach essential emotional intelligence and mental wellness lessons to children.
Films that inspired you to become a filmmaker/screenwriter?
Films like "Inside Out", "Spirited Away", and "Toy Story" have greatly inspired me. They managed to convey important messages about emotion, growth, and friendship in ways that were both entertaining and profound. It's this combination of entertainment and education that I strive to achieve with "Sadie and the Grove".
Who is your biggest influence?
Without a doubt, my sister. Her journey and struggles with mental health shaped the narratives of my series, driving me to spread awareness and support for mental wellness.
What were some of the challenges you had to face in making your films?
Creating content for children that deals with sensitive subjects like mental health was challenging. We had to balance entertainment with education, ensuring our stories were engaging, uplifting, and approachable, despite the serious themes.
Do you have a favourite genre to work in? Why is it your favourite?
I appreciate animation, particularly children's animation. It's a versatile medium that speaks a universal language, transcending age, language, and cultural barriers. This makes it perfect for conveying universal values and important life lessons.
What’s your all-time favorite movie and why?
"Inside Out" is my favourite because of how it beautifully personifies emotions, making them understandable and relatable, particularly for children. It's been a big influence on my work.
If you could work with anyone in the world, who would that person be?
I would love to work with Hayao Miyazaki. His films often carry strong messages about human emotions, the environment, and our responsibilities, which are themes that resonate with me.
Tell us something most people don't know about you...
I enjoy playing chess in my free time. It’s a cerebral game that keeps me sharp and strategic in my thinking. Moreover, it's a great metaphor for life in many ways - you have to think several steps ahead, and every move you make matters. It's a perfect blend of strategy and patience, which also applies to filmmaking and writing.
The one person who has truly believed in you throughout your career.
It's actually not just one person, but two - my children. When I was going through my toughest times, battling Cancer, they were just toddlers, aged 2 and 5 years old, but their resilience and unwavering faith gave me the strength to fight. Despite their tender age, they became my pillars of strength. Their infectious enthusiasm for my stories, combined with their candid, pure feedback, has always driven me to push beyond my limits. Knowing I'm making a difference in their lives and hopefully in the lives of other children, that's my biggest motivation and reward.
What was the most important lesson you had to learn as a screenwriter?
The most important lesson I learned is that storytelling is a responsibility. We have the power to influence, shape perspectives, and make a difference, and we should always strive to do so positively.
Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?
I believe both have their unique challenges. Getting started requires courage to tell personal stories while keeping going requires perseverance to maintain quality and consistency. The fear of vulnerability was something I had to overcome.
What keeps you motivated?
There's a quote by Mary Anne Radmacher that says, "Courage doesn't always roar. Sometimes courage is the quiet voice at the end of the day saying, 'I will try again tomorrow.'" That's what keeps me going. Knowing that every day, I have the chance to make a difference, no matter how small, through the stories I tell. Every episode of "Sadie and the Grove" is an opportunity to equip another child with the emotional resilience they need in life. The thought that my work can help children to understand and manage their emotions better, especially those who may be struggling like my sister did, that's what keeps me motivated. Plus, seeing the impact of my work on my own children and hearing their perspectives on my stories, fuels my determination to continue creating and sharing more.
How has your style evolved?
When I started writing, I initially focused on getting my story out there. My early works were more about external journeys, reflecting on my experiences and what I saw around me. However, as I matured as a storyteller, I realized that the internal journeys were just as important, if not more so. My style has now evolved to intertwine the external and internal worlds of my characters. The plots of "Sadie and the Grove" are not just about the adventures the characters embark on, but also about their emotional growth. Each episode serves as a mirror for the children watching, helping them to reflect on their own emotions and reactions.
Additionally, my storytelling has become more layered, weaving humour, adventure, and heart-warming moments around serious topics. This approach creates a balance that makes difficult subjects like mental health approachable and digestible for a younger audience.
Lastly, feedback from my children and the audience has become an essential part of my process. I've learned to listen, adapt, and evolve my style based on what resonates with them, making my work more impactful and relatable.
On set, the most important thing is:
The most important thing on set, to me, is maintaining an environment of respect and open communication. It's essential that everyone involved, feels valued, heard, and comfortable expressing their ideas. When we create this kind of environment, it encourages creativity and collaboration, which ultimately results in a higher quality production. Furthermore, given the sensitive nature of our content, it's particularly important that our team feels emotionally safe and supported.
The project(s) you’re most proud of:
The projects that I'm most proud of are "Sadie and the Grove" and "The Monster in Mummy". Both of these have been deeply personal passion projects for me. "Sadie and the Grove" holds a special place in my heart because it embodies the essence of my sister's journey, aimed at teaching children about emotional intelligence and mental wellness. It's a testament to my commitment to creating a positive impact in children's lives and promoting mental health awareness.
"The Monster in Mummy" is another project that I hold dear. It was inspired by my personal battle with cancer and how my young children supported me through it. It's a tribute to their strength and resilience, and I hope it can help other families going through similar struggles, showing them that even in the face of great adversity, there's a capacity for hope, courage, and healing. Both projects reflect my personal journey and are examples of how storytelling can be used to uplift, educate, and inspire.
The most challenging project you worked on. And why?
The most challenging project I've worked on was indeed "Sadie and the Grove." The reason being, it dealt with the subject matter that was not only important and sensitive but also deeply personal.
Navigating the balance between handling the subject matter of mental health with the sensitivity it deserved, while also ensuring that the content remained engaging, approachable, and age-appropriate for children, was a tricky tightrope to walk.
Moreover, translating a series of beloved books into a 3D animated TV series brought its own set of technical and creative challenges. Ensuring that the original essence, the heart of the story, was retained in the animated format required careful planning and execution.
Despite these challenges, the project has also been incredibly rewarding. Knowing that we're creating something that can equip children with vital emotional intelligence skills makes all the hard work and hurdles worth it.
What are your short-term and long-term career goals?
In the short term, I want to continue the momentum we've generated with "Sadie and the Grove". Our goal is to reach as many children and families as possible, helping them understand the importance of mental wellness and emotional intelligence. We're currently focused on the international distribution of the series and also exploring options for interactive educational tools to complement the series.
In the long term, my goal is to continue creating engaging, meaningful content for children that is both entertaining and educational. I'd like to expand my storytelling across different mediums and genres, reaching a broader audience. I'm also keen on collaborating with other creators and professionals in the mental health space to create impactful narratives.
Another long-term goal of mine is to establish a foundation that focuses on promoting mental health awareness and providing resources for children and their families. Through this, I hope to create a lasting impact that goes beyond my storytelling career.
Your next projects?
I'm excited about two upcoming projects. First, "Rosie the Rapper and Friends", an animated TV series for children. The show centers around Rosie, a young, vivacious rapper with a big heart and an even bigger dream. What makes this project special is its focus on gender equality and disabilities, creating role models that children can relate to and learn from. The series aims to promote acceptance, diversity, and the belief that anyone, regardless of gender or disability, can shine and achieve their dreams.
In addition to "Rosie the Rapper and Friends," I am also working on a highly personal and ambitious project: a feature film titled "The Monster in Mummy." This film is a deeply intimate portrayal of my own battle with cancer, seen through the lens of my family and especially my young children. It's a story about resilience, hope, and the extraordinary strength of family bonds in the face of adversity.
Following the release of the film, I plan to develop a TV series based on my life story. It will encapsulate my diverse experiences, the highs and lows, the personal trials, and the lessons learned. It's an exciting and meaningful journey that I look forward to sharing with audiences worldwide.
Please share with us where people can find you on social media so our
readers could keep track of your career:
Absolutely, I'd love for everyone to join me on my journey!
You can find me on:
Instagram: @the.monster.series
LinkedIn: linkedin.com/in/donia-youssef-6b431a20
Website: www.monsterseries.co.uk
I regularly post updates about my current projects and insights into my creative process. Plus, it's a wonderful platform to connect with others and learn about their experiences as well. Looking forward to connecting with you all!
The projects that I'm most proud of are "Sadie and the Grove" and "The Monster in Mummy". Both of these have been deeply personal passion projects for me. "Sadie and the Grove" holds a special place in my heart because it embodies the essence of my sister's journey, aimed at teaching children about emotional intelligence and mental wellness. It's
Gerhard Josef Muff - Interview
"The medium of film is the greatest art form we have. I love the challenge that filmmaking demands. The creative space is infinite. It is my destiny as a filmmaker to realize my visions. I hope that I still have enough time to contribute to the cultural heritage". Born in 1953, Gerhard Muff is interested in every form of art, painting, literature, music & dance; he reads almost exclusively medical text books, the topic of healing an avoiding pain has his greatest attention.
When did you decide you wanted to be an actor/director/ screenplayer?
For as long as I can remember I always wanted to be a director. But I made the logical decision when I was sitting alone on the side of a country road
in Yugoslavia and a truck drove past me a meter away. That was about 50 years ago.
How did your family react?
I had no family. I didn't tell anyone either. But my mother knew that from the start. She was my producer and passed away on May 7th, 2023.
Do you have a Muse or a Role Model?
I have no muse or role model.
Who's your biggest fan?
I don't have a fan.
What brings you inspiration the most?
The love and truth.
Which actor or director would you like to work with?
With any actor or director.
For my future project I would like to work with Lea Seydoux.
Of course, that can be many other actors.
Have you ever seen a film that was better than the book?
I've never read a book other than pulp fiction. I can't remember the comparison.
What's the movie that taught you the most?
This question cannot be reduced to one film. I'll give you some examples.
Aguirre, The Wrath of God by Werner Herzog, The Mission by Roland Joffe, Tous les Matins du Monde by Alain Corneau, Jean Florette by Claude Berri,
Manon's Revenge by Claude Berri, Apocalypse Now by Francis Ford Coppola, Hugo Cabret by Martin Scorsese, Duel on the Missouri by Arthur Penn, Barry Lindon by Stanley Kubrick, The Dissident by Bryan Fogel, The Gospel of John by Philip Saville,
About your artistic career, have you ever had the desire to quit everything?
Yes. There are moments when I question everything. But that doesn't last long.
On set what excites you the most?
I've only done documentaries so far.
And what scares you the most ?
That we must die.
What's your next project?
I'm working on several projects at the same time. I can't say at the moment which one will be finished first.
You can steal the career of an artist you really admire, who do you choose?
Martin Scorsese, Ridley Scott,
An actor/director/screenplayer is made of....
A body, a bio-psycho-social causal chain and a mind. A desire to follow his passion. An instrument, a storyteller, a medium, a teacher, a prophet if in possession of Gnosis.
For you Cinema is....
Therapy, Art form, Communication tool, Mentalization aid, Reflection aid, Teaching aids, A spiritual process because it has to do with sharing,
A window into the past, An art form for the development of potential, A support and an orientation on the way to truth,
Do you think Black and white movies have a powerful impact?
Yes, of course.
Have you ever dreamed of winning an Oscar?
No, but from other situations related to film.
Do you think you're gonna win it?
Everything is possible .
Michelle Taubman - Interview
Michelle has received over 118 career awards between her film, writing and acting. Her short film “An Ever After Drama” has received 67 international awards, including 22 for best actress. Her film also received 90 official film festival selections as of January 2023. Her screenplays have received 38 screenplay awards and notably two of her feature screenplays were finalist in the world renowned Paramount Film Festival. Between her four self published books she received 13 awards. Michelle continues to focus her craft in writing, acting and filmmaking with her motion picture company , Silver Lights Studios, founded with the production of her first short film in December 2022. In her free time, she paints for The Michelle Lynn Brand, advocates for her health brand and models swimsuits, travels to tropical climates, practices hot yoga, cooks, goes to the gym, attends both red carpet and charity events.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
I knew as early as seven years old .
Do you remember your first time at the Movies?
I do not recall the first time , but I do recall movies which inspired me which were E.T, Dirty Dancing, Jurassic Park, Pretty Woman, and Silence of The Lambs.
If you should change country where would you like to work?
I would love to live in France . The countryside, coastal living, the culture, art, fashion , Paris and of course the annual cannes film festival make it one of my top spots.
Two films that have marked your life for better or for worse…
I love the movie Beaches because of the story and the truth that everyone has a time. It also brought memories back of my beloved sister watching it together and bawling our eyes because it felt so real. I don’t have a particular movie in mind that marked me for worse, because I am the type of person if I start watching a film and it doesn’t sit welI I won’t continue.
What do you think about Acting/ filmmaking schools?
I think Acting and Film school is great , but it’s not necessary for those that are just innately talented. You can’t teach talent but you can always use education to continue to grow in acting and filmmaking.
Have you ever hated your ambition?
I look at Ambition as equal to passion which leads someone to discover purpose.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
Not at all . Film lovers are people that find a way to escape out of their day to day narrative for a short period.
Close your eyes…if I say “Cinema” what do you see?
I see all types of people coming together to watch an entertaining movie with popcorn, and refreshments, and a big smile on their faces!
Who’s the Director\Actor\Writer that taught you the most?
I am self taught and there is no one particular person that I can highlight. I feel every actor, director and writer brings their own authentic voice and style .
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream is to win three Oscars at the same time for one of my feature movies I wrote , starred in, and produced. The categories would be best screenplay, best lead actress, and best movie. I don’t like the word “nightmare “ it has negative connotation and I prefer to be positive because that mindset has allowed me to flourish as a self made award winning filmmaker, screenwriter, and actress at 107 career awards.
How important is to have a good Cinematographic Culture?
It’s important but you also need the right assembly which is the cast, the script, and director.
What would you like to improve as a Filmmaker\Actor\Writer?
I am all good. I improve with each production in all of those areas by getting hundred percent into the movie. I live it, breathe it and that’s all I think about with each movie.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
The Flesh and The Devil with John Gilbert and Greta Garbo. The movie has a special place in the sequel of The Silver Slipper Club and My soon to be released sequel , Gold, Gloves, and Glory.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
My practice of yoga, meditation and following a healthy lifestyle has allowed me to maintain a positive mindset and not get discouraged.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
I do agree but you also need good actors, lighting and cinematography.
What’s your most ambitious project for the future?
The Green Mill Trilogy Film Series is the most ambitious.
Do you think that sadness or at least melancholy let be more creative?
I think sadness does play a part but not 100%. Everyone channels emotions differently ,but the visual arts are a great outlet for those who have encountered hardships.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I wish that one of my award winning scripts gets 100 percent funded and in production with my film company before 2024.
Claudio Recabarren Madrid - Interview
Claudio's vast career as a professional musician spans decades. Informed by an early education from his father Moises, a fantasist pianist during the 1950’s, his own self-teaching, and private classes from Rene Reyes, teacher at the National Conservatory of Music at University of Chile, his music has bridged continents, transversed languages, and connected people across the world. Dedicated to his music and those who support him, he has journeyed to Asia, North America, Latin America, and Europe, performing on lakes, hills, the tops of mountains, deserts, dolmens, museums, and astronomical observatories... piano under the stars.
When did you decide to become a filmmaker and why?
As a pianist composer of astroart and with a long career in concerts in planetariums astronomical observatory lakes, hills and others, I felt the need to have an original visual support for my live performances in planetariums and dome theaters thus my first fulldome film Piano was born. Under the Stars the year 2020.
Which is your favorite director and why?
Steven Spielberg, Morgan Freeman, Neil deGrasse Tyson and of course Juan Carlos Vidal, visual director of my two films. I like them for their sensitivity and mysteries with the cosmos and how they relate the frequencies and cosmic links through the image.
Which movie was the most inspiring for you?
Odisea 2001, Interstellar
What was the biggest challenge you faced in making your films?
Landing a dream inspired by a musical composition and from there the beginning to find the work team, the financial resources and finally the result has to be like the dream.
Do you have a favorite genre to work in? Why is it your favorite?
Astro art is art related to astronomy, which in my case is the music inspired by the stars that is exhibited in the fulldome cinema and VR (virtual reality) images that merge with music and astronomy… it fascinates me.
What’s your all-time favorite movie and why?
Interstellar. It is a film that moved me because of its space-time relationship with the distance from the family, the human and tender aspects of science fictionthe script and interpretation... I shed tears watching it
If you could work with anyone in the world, who would that person be?
With anyone who supports Astro - Art and understands the message of Piano under the Stars and Cosmic Caverns.
Tell us a secret that nobody knows about you...
My inner world is silent deep and connected.
The one person who has truly believed in you?
A woman that has been very important in my career and in my life.
What was the most important lesson you had to learn as a filmmaker?
A great dream is possible to land with perseverance, conviction, good relationships, a team that believes in you, and having a work of audiovisual art.
Is it harder to get started or to keep going?
The hardest thing is to start then continue... is a great challenge.
On set, the most important thing is:
What I interpret playing at the moment … is real.
The project(s) you’re most proud of:
Movie fulldome Piano Under The Stars , Cosmic Caverns, Luces del infinito, 321 Despegue documentary film Bosque Hueco , Buscando la Luz.
The most challenging project you worked on. And why?
The fulldome movie Piano Under the Stars, being able to put together a team , finding a good visual director Juan Carlos Vidal, the time it was made that ended during the covid that it was very difficult to schedule delivery times since we were working in two different countries, I from Spain and the visual team in Chile and then the different meetings in the United States for its distribution in those difficult times of travel. But it was possible thanks to the musicians, sound engineer visual arts, advisors, audiovisual studios friends and family . This film won 33 awards during the years 2020 / 2023. incredibly happy…
What are your short term and long term career goals?
New musical compositions, new visual scripts, continue exhibiting my recent films in planetariums and dome theaters. Live concerts with visual support of my films.
Your next projects?
Visual series program of 4 chapters, fulldome movie.
Please share with us where people can find you social media:
https://www.facebook.com/claudio.recabarren
https://www.instagram.com/recabarren.claudio/
https://www.youtube.com/watch?v=xCgPaNYhvrc&list=PLuSbUM1IEC6K-UmK77hyY4SSDmElKb9TY
Noriko Daido - Interview
Noriko is a japanese actress
When did you realize you wanted to be an actress?
When I was in elementary school, I auditioned for a a role in school play. Although I wasn’t chosen, the sense of excitement to pretend I was someone other than myself was intoxicating. This was the first out-of-body experience that later led to me developing that I had found my calling.
Do you remember your first time at the Movies?
I was in elementary school when E.T. first came out and I had the opportunity to see it in a crowded Tokyo cinema together with my sister and uncle. The screen was so huge! This larger-than-life experience had me mesmerized and offered an escape from the homogeneity of life in Japan.
If you should change country where would you like to work?
Since I grew up in Japan and speak fluent Japanese, I’ve always dreamed of returning to my birth country and starring in a series production such as “Alice in Borderland” or “Midnight Diner.”
Two films that have marked your life for better or for worse…
Life is Beautiful was a remarkable demonstration of the human spirit. I realized that happiness and great sorrow can co-exist in the most unexpected places. The cinematography was extraordinary.
The English Patient was the most beautiful film that I have ever seen. I was in awe of the cinematography. Every scene looked like a perfectly scripted magazine shot. This film magically executed the “great escape” that every film aspires to provide.
What do you think about Acting/ filmmaking schools?
I have always wanted to go to film school, but never had the opportunity. I am a big fan of acting/filmmaking school. If someone is lucky enough to be able to afford to go what an opportunity, to learn from professionals, meet a group of peers and learn your craft.
Have you ever hated your ambition?
The problem with ambition is that there is seemingly no end to the process. Once you achieve something, you are immediately compelled to set another even more ambitious goal. I try to live life in the moment and enjoy the process of working toward the goal—that seems to be the only true way to be happy. Great ambition helps us reach places that we would not otherwise reach, but we have to be careful not to get caught in an endless cycle.
Francois Truffaut used to think that "Film Lovers are sick people”… was right
I don't agree with Truffaut's comment that people who love movies are sick. He was saying that people who spend their time watching movies are not engaged in life but watching a movie, like reading a book or going to a museum, is engaging in life. Being introduced to a new idea or learning how other people live and experience the world, like viewing all art, expands each person's horizons and opens them up to their own new ideas and visions.
Close your eyes…if I say “Cinema” what do you see?
I see infinite possibilities. Whether traveling through time and space or some other fantastic, epic fantasy, Cinema will always represent an opportunity to escape from reality. In that sense, Cinema is the ultimate form of entertainment appealing to nearly everyone across the globe.
Who’s the Director\Actor\Writer that taught you the most?
Alix Jean-Francois is the Director that first believed in me and made me believe in myself. He taught me how to behave in front of the camera and challenged me to think from the perspective of the character I was playing.
About your job, tell us your biggest dream and your worst nightmare.
My biggest dream is to play a leading role in challenging film with a great script where I can grow as an actor and advance my career. My worst nightmare is to be typecast into a less challenging role where I cannot further develop my craft.
How important is it to have a good Cinematographic Culture?
I don’t know what Cinematographic culture means exactly. But it sounds a bit like being immersed in Cinematography to such an extent that the Cinematography carries the film. The greatest example of cinematography carrying the film is, of course, Citizen Kane. Two of my favorite filmmakers (Kurosawa and Ozu) were greatly inspired by Citizen Kane. These two filmmakers took cinematography in new directions. Kurosawa used big, open, and outdoor structures. Ozu was more intimate and delicate.
What would you like to improve as a Filmmaker\Actor\Writer?
I would like to learn how to totally immerse myself in a the portrayal of a character without having it take over my life and everyday existence.
A big producer gives you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
remaking a black and white movie: I would love to both direct and act in Casablanca. A timeless story that is full of love, danger, and mystery. And the fabulous hats are amazing.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
My 8-year son keeps me motivated to pursue my dreams and constantly gives me a fresh perspective on the importance of family and work-life balance
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
I agree with Hitchcock - it starts and ends with the story and the words (and even the silence written in.) The best actors and cinematographers and set designers can create their magic but without a strong script, you don't have a film.
What’s your most ambitious project for the future?
I have the ambition to play a role that truly takes me out of my comfort zone and forces me to become someone (e.g. singer or dancer) for whom I have no natural talent.
Do you think that sadness or at least melancholy lets be more creative?
I don’t think that a particular state of mind leads to creativity. I think that creativity comes from understanding a situation in great detail and letting your mind run free. Creativity comes from feeling free and creating a safe environment that allows you to fail fast. I recently heard Matt Damon say that the most profound thing he ever heard was when Ben Affleck told him to judge him on how good his best ideas are rather than how bad his bad ideas are. This kind of environment allows creativity to flow.
What do you wish for yourself as a Filmmaker\Actor \Writer?
I want to push my limit and explore roles that get me out of my comfort zone.
Colin Robert Denhart - Interview
Colin Robert Denhart is an award-winning independent filmmaker and TV producer based in Indianapolis, Indiana, USA. His 2021 spiritual horror film Sister tells the story of a young nun named Sister Jowi (Vasudha Krishnamoorthy) who has strange visions of evil spirits and must find the light within her in order to stop the darkness surrounding her. Many of the scenes were filmed in locations that have real haunted history, adding to the horror elements of the film. Sister has had success at several festivals around the world over the past year, winning awards for best picture and best actress (Krishnamoorthy), among others. Sequels to Sister are currently in various stages of production, and Denhart and Krishnamoorthy have recently re-teamed, currently filming a new indie comedy film titled Frieda from Attica.
When did you realize you wanted to be a Filmmaker/Writer?
I knew at a very early age that I wanted to be a filmmaker. When I was a little kid, I would play with my action figures like they were my actors and I was the director. I remember one time as a toddler I played with my toys while watching The Wizard of Oz, and I recreated scenes from the movie using a yellow blanket as the Yellow Brick Road and my action figures as characters from the movie. As I was slightly older, I would develop my own plots with the action figures and have each toy-playing session be like I was orchestrating an episode of a show. Throughout my childhood, I also played with my family’s camcorder and watched lots of movies, and especially liked the behind-the- scenes features on DVDs which taught me how the movies were made and further inspired me to pursue a career in filmmaking.
Do you remember your first time at the Movies?
My parents took me to see The Lion King when I was a baby, but I do not remember this experience. The first movie I distinctly remember seeing in theaters is Toy Story. I was 2 years old when the film came out, and I had all the toys from the movie including Woody and Buzz, which I still have today. I remember looking up at the projector in the back of the theater and being amazed about how it was creating the image on the screen, and it was the first time I ever wondered about where movies come from and this exploration led to me being interested in the filmmaking process and my interest in it.
If you should change to a different country where would you like to work?
If I were to make movies in other countries, I would like to film in India since I have several friends and collaborators who are Indian, including multi-award-winning Sister star Vasudha Krishnamoorthy, who has become one of my closest creative partners, and pop star Anza, who also appears in Sister and whom I have worked closely with in her music career. Our film Sister also has had great success in India at various film festivals, which gives promise that my work would be well-received there. I also have an interest in India through my practice of Transcendental Meditation and studies of Hinduism, particularly the works of Maharishi Mahesh Yogi, Paramahansa Yogananda, and Ram Dass. I also would love to make films in Italy given the beautiful scenery, rich history, and religious culture, and since Sister assistant director Giorgio Giudice is a resident.
Two films that have marked your life for better or for worse...
Two films I associate with marking life events for me are my 2010 student film “The Man in the White Room” and my 2017 short film “The Girl in the White Room.” These films both are set in the same universe and mark vastly different time periods in my career as a filmmaker. The films are about individuals who find themselves in a mysterious white room with no doors or windows and must find means to escape. “Man” was shot when I was 16 for a high school photography class and features actors who were friends from my church. It was the longest project I had made up to that point and my first to involve heavy use of special effects, explore psychological and spiritual themes, and feature an original score. “Girl” was shot when I was 24 and really marks an evolution in both my film career and spiritual development as it was the first film I made in Indianapolis and after I had learned Transcendental Meditation and became a Freemason. The advancement of my filmmaking skills and the depth of the themes presented in “Girl” compared to “Man” demonstrates well how far I had advanced as a filmmaker at that point. There is a possibility I will make more “White Room” films in the future to be markers for different points in my life and career.
What do you think about filmmaking schools?
Filmmaking schools provide a wonderful opportunity for experts in the film/television industry to share their knowledge and teach filmmaking techniques to those who aspire to become filmmakers and allow a playground of sorts for students to develop their filmmaking styles and put the fundamentals of film/video production into practice. I took filmmaking and photography classes in both high school and college and had wonderful experiences with my professors and classmates. I am especially thankful to my high school radio/TV teacher Randy Brist who taught me the basics of video production and inspired a deeper appreciation of cinema and my college professor Susanne Schwibs who got me my first internship and taught me how to shoot on actual celluloid film cameras. It is amazing to see some of my classmates now working in Hollywood, especially my high school classmate Derrick Childers, who designed the creature effects for Sister. Derrick and I were in the same radio/TV class, and some of our earliest student video productions were made together, so it was really cool to come full circle with him on Sister.
Have you ever hated your ambitions?
I never would say I hated my ambitions, but sometimes in the past, my plans for film projects did not always fall through. There were some projects I developed or started production on that had to be canceled due mostly to scheduling conflicts with actors/ actresses. One of these projects was my college senior thesis film titled “Troubled Times,” which was a Scorsese-style crime drama about street gang members in the 1970s. We filmed about a third of the short film before the lead actor had to leave production because of an off-set back injury which resulted in the project’s cancelation. I had high ambitions at the time that the movie would be my “ticket to Hollywood,” so I was devastated when we had to cancel the production, and for a brief moment, my film career felt like it was over. It was at this same time that I had a falling out with my female classmate/romantic interest (whom I thought we would together become the “John and Yoko” of filmmakers), my childhood dog died, and my aunt was dying of cancer, so the loss of that film was yet another dark turn for the worse. I remember walking out in the middle of a dark, snowy night to reflect on everything at that moment and burying my face in the snow alone in an open field on campus. I let the grief consume me, but I told myself, “You will get through this, and it may not be how you thought it would turn out, but you will still achieve your dreams.” So I got myself up, wiped my frozen tears away, turned the music on my iPhone (“Dreams” by Fleetwood Mac played), and took the first steps of the rest of my life, leading to a brighter future filled with many more incredible films we have created in the years since.
Francois Truffaut used to think that "Film Lovers are sick people”... was he right?
Haha. I am not sure of the context of Truffaut’s quote, but I would have to disagree. Film is the ultimate artistic medium and can create significant change and inspiration in the viewers, so those who admire film would definitely be more enlivened individuals and not sick people.
Close your eyes...if I say “Cinema” what do you see?
I’m sitting in a movie theater and the lights go down the screen widens to project a new movie that takes me to another world.
Who’s the Director\Actor\Writer that taught you the most?
I could answer Werner Herzog, Jeffrey Katzenberg, or one of the other many famous filmmakers I have met over the years or the filmmakers who have influenced me creatively such as David Lynch, George Lucas, Paul Thomas Anderson, or Stanley Kubrick, but really I have learned the most from working closely with the main actresses of the Sister film series. Vasudha Krishnamoorthy, Andi E., Gabrielle Bousum, and Suzy Mu all are quite talented actresses and have taught me how to better develop strong working relationships with cast members and how to improve myself as a director, especially in communicating with them. Good communication is key to getting one’s ideas transferred more fully to another individual and is thus necessary to achieve an artist’s vision. I appreciate how well the actresses and I communicate and get along well together, bringing my vision for the film and their performance and embodiment of the character in sync.
About your job, tell us your biggest dream and your worst nightmare...
In my career as a filmmaker, my greatest dream would be to create several high-quality original films that carry deep meaning and significance and leave a lasting positive impact on viewers and are worthy to be included in the National Film Registry and other prestigious institutions. As to the 2nd part of that question, my worst nightmare for my future as a filmmaker would be to be stuck working on some stupid “Marvel rip-off” movie in a position where I have no creative input and work with low-toned individuals.
How important is to have a good Cinematographic Culture?
It is quite important to be well-cultured in cinema for one to be a good filmmaker. By seeing how other films are produced, one can get inspiration for their own works and possibly even develops techniques to achieve a similar or greater effect through their original films. It also is necessary to have a diverse knowledge of cinema in order to be familiar with the trends and be aware of audience expectations for specific types of films or film genres. This knowledge allows filmmakers to either conform to the appropriate styles of the films he or she is trying to create or subvert expectations but in a way that the audience can still accept the work.
What would you like to improve as a Filmmaker\Actor\Writer?
I would love to be at a point in my film career where I can afford higher-quality filmmaking equipment and pay the talent involved in our films, but the small budgets I currently work with definitely have made me more creative in my ability to achieve my creative visions given the limited resources at our disposal. Sister only cost about $5,000 to produce, and we saved on lots of costs by using locations we had access to through organizations we are involved in such as my church St. Paul’s Episcopal Church (which is the real-life church where the movie The Fault in Our Stars takes place) and my Freemasons lodge Broad Ripple Masonic Lodge #643. It will be interesting to see what I am able to do one of these days when I get hired by a studio to make a big-budget film or the financial backing of investors for my own independent work.
A big producer gives you the chance to direct\to play (in) the remake of one of your favorite black and white movies (if you have one)... what film do you choose?
I would choose the film It’s a Wonderful Life. I do not believe the film should ever be remade, but it definitely is my favorite black-and-white film and one that has influenced me deeply as a creative artist. Its cinematography and themes of religion and spirituality had a significant influence on the development of Sister.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged... who’s the person that keeps you motivated?
The people that keep me motivated are my actors/actresses and close collaborators. I feel a responsibility to create high-quality films because it is just not my film career that I want to see succeed but the careers of those whom I work with on the films. Even if I don’t end up as a “Hollywood” filmmaker, I want to see the actresses I have collaborated with find huge successes in their careers and develop into stars.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
Haha. The script is definitely important; it is to the filmmaker when making a film what the blueprints are to the architect when designing a building. However, I like to have some fluidity in the production of our films. I usually write an outline detailing all the scenes I want to shoot and hit all the story beats, but when it comes to the script itself, I usually write the specifics for dialogue and blocking of scenes shortly before filming in order to be more flexible with the cast’s schedules and any changes that may occur due to weather, illness, loss of location, or other factors. I also like to allow the actors and actresses in my films to bring their own input to the script to make the production a more collaborative effort.
What’s your most ambitious project for the future?
It is my hope that Sister and its sequels will spawn a franchise if the success we have had so far continues to build. The sequels address the aftermath of the first Sister movie and introduce new nun characters Sister Mariana (Andi E.), Sister Katharine (Gabrielle Bousum), and Sister Rey (Suzy Mu). The same goes for our new comedy film Frieda from Attica which also stars Vasudha, so it is exciting to see our filmmaking partnership continue to develop over time, and I look forward to making more films and creative projects with her.
I also recently have gotten into music as a songwriter and band manager for artists/ bands such as Shakeeda, Anza (who also stars in Sister), Little Drummer Boy, and Borracho Caddies. Definitely looking forward to the albums and music videos we will create together. I also previously made music videos for the band Ross Hollow, whose concert film I produced has won at various music video festivals.
My most ambitious single project for the future though is a historical drama about the 1811 Battle of Tippecanoe, which was a major battle between the United States and the Shawnee that ultimately led to Indiana becoming a state and serves as an example of the overall conflict between the United States and Native Americans as a whole, and the ramifications of the battle through various points in time. It is a film that would be really personal to me as the battle took place near Lafayette, Indiana, where I grew up, so the film would serve as a vehicle to bring to life the history of America through the lens of my hometown. I definitely will want to be more established in my film career and utilize a
big budget to do the story justice, but it is a passion project I have been developing for the past several years that I want to make more than any other project in the future.
Do you think that sadness or at least melancholy lets you be more creative?
Creativity is aligned with positive energy, which comes about through joy and happiness. While there is a certain beauty that can be derived from melancholy music and films, being sad or melancholic while filming does not help in the creative process. It is necessary to build positive energy and be in full communication between the cast and crew in order for the appropriate vision to be manifest in reality.
What do you wish for yourself as a Filmmaker/Writer?
I just hope to continue to evolve my filmmaking skills and capabilities and make creative films that are original and come from the heart and soul. I would like to continue to make films with Vasudha as she is so talented as an actress/filmmaker and is such an amazing presence who brings great joy to my life. I feel like I am living more fully into my creative purpose when making projects with her, and we help each other grow as an actress and a filmmaker respectively. Someday it would be great to have our film work in the National Film Registry so it will be preserved for all eternity so I can share my films with future generations to come. Just as I love movies made by filmmakers who have been long gone, I hope people who don’t even exist yet will see my work. To bright futures ahead!
Casey Mensing - Interview
Casey Mensing is an award-winning screenwriter and author of the books I Am Ahab and The Unimaginable City. His nomadic existence currently finds him living in Downtown Los Angeles. In his free time, he enjoys painting, taking photos, and bringing home stray books.
When did you realise you wanted to be a Filmmaker\Actor\Writer?
I’d say I was always a writer at heart. As a child, I had a huge imagination and loved creating worlds to rival the real. I started to think about creating as a vocation in my late teens/early twenties.
Do you remember your first time at the Movies?
I don’t remember the first time at the movies. But there are snippets of memories, flashing images of early movie experiences. Saturday matinees. The feeling of being completely entranced by what was happening on the screen. Two insatiable eyes trying to take it all in while surrounded by darkness.
If you should change country where would you like to work?
I don’t know if I could pick one place. I’ve always wanted to spend some time being a nomadic artist. Writing and painting in various cities and countries for a month or two before moving on to the next place.
Two films that have marked your life for better or for worse…
Apocalypse Now because it’s such a perfect imperfect film. It’s a testament to making something great as everything implodes all around you. Gasper Noe’s Irreversible is very powerful. The most violent heartbreak I have ever experienced while watching a movie.
What do you think about Acting/ filmmaking schools?
I think they’re a good place to develop your craft and make important connections.
Have you ever hated your ambition?
I actually wish I was more ambitious.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
I understand his point about obsessive film lovers being neurotic escapists who don’t love life because they aren’t out there living it. But I think that’s a really tiny percentage of “film lovers.”
Close your eyes…if I say “Cinema” what do you see?
A smoke filled theater at the Cinémathèque Française in the late 1950s.
Who’s the Director\Actor\Writer that taught you the most?
Federico Fellini.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream is to continue making art. My worst nightmare is to lose my ability to my art.
How important is to have a good Cinematographic Culture?
I think it’s important. In general though, I think it’s important to have a culture of storytelling. Whether it be through books, movies, music, visual art.
What would you like to improve as a Filmmaker\Actor\Writer?
As a writer, I hope to continue to push myself to take risks and tell interesting stories that people can connect with while also getting better at my craft.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
That's tough. I think it's hard to remake anything and outdo the original. I would love to see modern adaptations of two movies: Lon Chaney Sr's silent films: the Unknown and Blackbird.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
Myself. If I stopped writing or making art, no one else would be affected by it, so I’m the one that has to keep myself going.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
I think the script is essential. But it is only a piece of the filmmaking process. That’s why making a movie is such an intense collaborative experience.
What’s your most ambitious project for the future?
I have two scripts that I’m in the research stage on. I’ve been feeling intimidated about the idea of sitting down and writing either of them for about a year now. I hope I get over it soon.
Do you think that sadness or at least melancholy let be more creative?
I don’t. You can channel those emotions into a creative endeavor and tap into something great. I don’t think any single emotional state makes people more creative or better at being creative.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I hope to continue telling stories and that people enjoy them. It would also be nice if someone felt like paying a large sum of money for them, so I didn’t have to think about that as much.
Frank Billingsley - Interview
As to storytelling, Francis started as a lad in a Rock band composing lyrics for his music. Later, he evolved into prose, writing George Turner’s Ghost a published historic fiction novel, which resulted in his being invited into the Schoolhouse Theater’s Playwright Workshop as a singer, songwriter, and actor. At the workshop, wrote his first produced musical play The Rolling Brothers, in addition to performing in other fine plays. Next, he joined the Dramatist Guild and The Playwright Center, where he detoured into screenwriting, adapting his novel Actor Master Showman into a feature screenplay. Fast forwarding to 2023; in addition to his award-winning script Actor Master Showman, he has two other award-winning projects in circulation at international film festivals, being his TV pilot script – Dancing with Spies and a Sci Fi one act play The Bridge Experiment which serves as a short film screenplay.
What's the necessary ingredient to be a good actor/director/screenplayer?
A combination of passion, talent, and drive to pursue opportunities.
First and last cinematographic crush?
Search me… (yet later, I may be answering this.)
How old you were when you decided you wanted to be an actor/director/screenplayer?
Mid-thirties.
For you a Film is...
A grand opportunity to tell a story using one of the great Twentieth Century art forms.
What do you feel when you're acting/directing/writing?
Excitement… and the most authentic ‘high’. Think back to the sixties. ‘The High’ was sometimes drug and/or alcohol induced. ART however, gives one the opportunity to create, transcend and then hopefully share.
Can you live just of your passion?
No.
What's more important talent or luck?
It depends on the situation.
You must go to a desert island but you can bring with you just one movie...
Let’s go back to my film influencers being first the old 1951 (black and white) classic film ‘A Christmas Carol’ with Alister Sim as Scrooge. In Sci Fi ‘12 Monkeys’. Yet as to musicals ‘My Fair Lady (G. B. Shaw play) adapted by Lerner and Lowe. And finally, as to espionage fiction, the first three James Bourne films were excellent. H
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
Not yet.
What's the best compliment you have received about your Job?
That I was imaginative, creative, and relentless.
Are you satisfied about your career?
I work for the Salvation Army as a sales associate to survive now. But as a human being, to create art and be loved by my daughters is fulfilling enough.
Do you have a good luck charm?
I go to church once in a while to transcend. That’s about it.
Which is the worst moment on set ?
Search me. I was mostly involved with stage theater. And what a grand opportunity all of that was.
How do you feel when a job you've been part of it's ending?
There is always a little regret when anything ends, but I look to the future for another adventure.
Have you ever lied to get a part/job?
Are you looking for a job with the FBI or CIA? Well, I think most people are truthful, but sometimes one exaggerates. What about you?
If you should win an Oscar your first taught would go to…
As the dreams go, I would hope, I would think of those who made the award possible for me.
Francis, who would you dream of playing the main characters William and Olga in your TV pilot script - "Dancing with Spies"?
Someone like Ethan Hawke would be a grand choice for the CIA computer whiz WILLIAM. But as for who would play OLGA his lover, this all-important ex KGB Russian agent, who after twenty-five years is still in love with William in 2014; will be a challenge, for besides being beautiful and smart, she can be on occasion somewhat funny and entertaining. Yet most of all she is a driven professional, who understands her strengths and weaknesses in the craft of espionage. And please remember, that the TV pilot of 2014 timeline occurs over a three-month period. In any case, I would love a talented Russian actress if possible. On another unique matter, I cannot emphasize how important my award-winning novel manuscript The Dancing Spies @Goddess with its important supporting and expanded storytelling can be. As to physical structure, it is divided into three main parts over a twenty-seven-year period.
A good example of how important… becomes evident when examining what I refer to as, the ‘To Die For’ scene occurring at a Virginia Drive Inn (found in Part II - Prior Times of Olga and William section, on pages 47 to 54, titled ‘OCTOBER 1989 CIA Mission Report (Clandestinely retrieved by Olga from William Fagan’s personal computer)’. Here, after the Drive Inn incident, Olga must come to a sense of reality in knowing how much William really loves her, for he risked his life to protect and rescue her. Also remember, this is during 1989, as the Soviet Union is about to come apart in its internal chaos. And as well, consider during Olga’s dangerous mission… where the hell were her Soviet comrades during all the sex, murder, and mayhem?
Sarah Elena Schwerzmann - Interview
Sarah Elena was born 1981 in Bern, Switzerland. She completed her translation studies at the University of Geneva with a Master’s degree and started working as a cultural journalist for print media. After completing her training as a video journalist in Switzerland and Germany she moved to London, where she worked as a foreign TV correspondent from 2007 to 2011. In the UK she worked for Associated Press Television News and simultaneously furthered her studies, completing an education at SAE Institute for Film and Music Technology. In 2011 she returned to Switzerland and joined the news agency Keystone before moving on to the Federal Office of Culture, where she took part in shaping the digital strategy. From 2014 until 2022 she was head of documentary series at the French-German cultural broadcaster ARTE. She is currently working as an independent filmmaker, artist and producer. “08/15 — The Daily Lives of Death” is her first independent work.
What's the absolutely necessary ingredient to be a good director?
Empathy and the ability to listen and observe.
First and last cinematographic crush?
“The Imposter” (2012) by Bart Layton and “Dream Collector” by Sonja Djekic, which is still in production.
How old were you when you decided you wanted to be a director?
I always wanted to be a writer. When I was a child, I found the ability to conjure up images with words so powerful. It’s only later I discovered the magic of film.
For you a Film is...
A film is the start of a conversation.
What do you feel when you're directing?
I feel complete exhilaration with short bouts of dread, usually when I realise the extent of my responsibility. Even though it seems counter intuitive, I find that combination somehow intoxicating.
You can go to the movies with a director that you
love. What kind of movie do you choose and with who you're gonna watch it?
I would watch a romantic comedy with David Fincher. I don’t like the genre. I find it very clichéd and formatted. Knowing his body of work, I would imagine he would not particularly like it either. And that would make for a great starting point to an interesting conversation about perception and the power of images.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
I find it interesting to strive for the impossible, because by definition, that is where nobody else has been. And that is exciting. However it is important not to lose your end goal out of sight. If the impossible only serves your ambition and not your film, choose wisely.
Can you live just of your passion?
In an ideal world you could live off your passion and pay your bills with great ideas. I choose to believe that is within reach.
What's more important talent or luck?
Talent can be developed whereas luck is completely out of your hands.
I like the tension between the illusion of complete control and the reality of a complete loss of it.
You must go to a desert island but you can bring with you just one movie...
Fight Club.
Have you ever accepted to direct even if you didn't like the project?
I have done projects in the past that were not born out of a burning passion but more out of the curiosity to learn something new that will help me hone my craft.
What's the best compliment you have received about your job?
I have been told my work is courageous. Sometimes that surprises me as I find exploring new things and asking questions a very natural thing.
Are you satisfied about your career?
Having come from the music industry, journalism, the film and art worlds, I feel I have a wide range of experiences I can draw on and that makes me very happy.
Do you have a good luck charm?
No.
Which is the worst moment on set?
Nothing can go wrong when you’re prepared. However, things can veer off a set plan and I find it challenging to then keep an open mind, but that is pivotal. Quite often it’s the unexpected that produces the most magical cinematic moments.
How do you feel when a job you've been part of is ending?
I will quite often feel exhilarated and then a bit sad because I have to move on and turn the page. However that usually only lasts a couple of weeks, then I’m getting excited about the next project.
Have you ever lied to get a part/job?
No.
If you should win an Oscar your first taught would go to....
My first thought would go to my parents, who have always inspired and supported me. I guess that’s what most people would say. But it is true that they’re the ones who bring us into the world and therefore shape the way we see it most.
Inaya Sher - Interview
Inaya Sher is a recent graduate of Sheridan's Animation Program of 2022. She enjoys creating and writing stories and designing characters. She was the Director for her Independent animated short film "Pari"
When did you decide you wanted to be an actor/director/ screenplayer?
I always enjoyed art but didn't know what I would do with it as a job, When I was in high school I discovered the possibility of my art career becoming a reality.
How did your family react?
My family is very supportive. In the beginning, they were uneasy and were against the idea of me going into the art field, I don't blame them it can be a pretty daunting thing and they just wanted to make sure I was making the right decision. It took a lot of convincing but one I proved to them that I was serious and what my plans were they were all onboard!
Do you have a Muse or a Role Model?
I don't really have a single role model, the people I look up to change all the time! However, my biggest role model and support system would have to be My Maternal Grandmother and Paternal Grandfather. They're both artists and they were really encouraging and supportive of my artistic hobbies when I was little. They really were the ones to turn my little spark into a full flame as I got older and for that, I am eternally grateful.
Who's your biggest fan?
My family is probably my biggest fan along with my friends.
What brings you inspiration the most?
Spending time with things I enjoy probably is the best source of inspiration, whether it is with friends or family, taking time to immerse myself in media I enjoy like movies or games or books.
Which actor or director would you like to work with?
That's a tough one, I'd probably love to work with Pete Docter, Hajime Isayama or Brad Bird.
Have you ever seen a film that was better than the book?
I don't think I've seen a film better than the book, If anything it might be the Disney Adaptions of the old Hans Christian Andersen and Brothers Grimm stories.
What's the movie that taught you the most?
I think the movie that taught me the most would be Wolf Children by Mamoru Hosoda. It just really brought a whole new light to Motherhood and really made me appreciate my parents for all the sacrifices they made for the life I have now.
About your artistic career, have you ever had the desire to quit everything?
Yes, I think about quitting all the time. With careers fueled with creativity, it can be really difficult to always keep up and it can be very draining. But I truly do love what I do and I always find myself feeling incomplete if I'm not creating. If you ever do feel that way, just know it's okay to take a break and slow down, sometimes not being artistic is the best thing you can do to improve your skills and inspiration.
On set what excites yuo the most?
In the animation field, we don't really have an in-person set as live-action does. However, something similar would be the creation process, when we're brain-storing ideas and working on bringing them to fruition. The most exciting part is definitely seeing how all the scattered puzzle pieces slowly come together and you finally have a completed shot. It's really satisfying.
And what scares you the most ?
The part that scares me the most would be when everything just goes wrong, it's a bit trickier when you're with other people since you have disagreements and such. But when you work so hard on something, months of time and effort and in the end you just have to scrap it. It's probably more disheartening than scary.
What's your next project?
I'm Currently working as a Designer in the industry. It's nice to slow down with a 9-6 job after hectic school years of pumping out films and pulling all-nighters every day. I'm currently brainstorming some ideas for a future Comic or even film but that's a really long terms project that's still at the idea stage.
You can steal the career of an artist you really admire, who do you choose?
If I could steal the Career of an artist I might choose Omocat or maybe Usman Riaz. I intervened at Mano Studios which Usman had founded. They are currently working on their first feature film, being there with everyone was really inspiring, and seeing how passionate everyone has really inspired me in thinking about going the indie route and creating a studio or small business of my own. The same goes with Omocat, She's also someone who has her own business and art studio. A career path like that is something that really intrigues me.
An actor/director/screenplayer is made of....
An Actor/Director/The screenplay is made of patience, creativity and openness to improvement. Someone who thinks outside the box and is open to criticism because they care more about improving rather than being right.
For you Cinema is....
For me, Cinema is pure wonder and cleverness. The ability to make people feel, to change minds and alter perceptions. To inspire and cause the audience to believe and be immersed I feel is successful media One that cares about telling a story as their main drive rather than getting a particular point across.
Do you think Black and white movies have a powerful impact?
Yes, I think Black and white cinema has a very powerful impact. we studied them a lot during college and I got to understand why so many people are fond of them. When you have a lack of colour and all the other fancy tools we have these days you don't have distractions and have to rely purely on visual storytelling in Black and white films. You tend to focus more on Acting, silhouettes and camera angles which are crucial for effective cinema. Also, the lack of colour helped us easily spot good compositions and contrast which could be harder to spot in modern-day films.
Have you ever dreamed of winning an Oscar?
Haha, yes I have dreamed of winning an Oscar, I think a lot of filmmakers have.
Do you think you're gonna win it?
Will I win it? Hmm, maybe who knows? I think I was a lot more determined to win an Oscar when I was younger but now I think rather than winning one I care more about making good films. I've seen so many amazing films miss out on an Oscar and that made me question how much winning it would really mean to me. How much of getting an Oscar is determined by good filmmaking compared to having the right connections and prestige? It would still be amazing to win one Of course but I don't think that's my end-all-be-all goal.
Hisham Zreiq - Interview
Hisham is an award winning Palestinian filmmaker, graphics designer, animator and visual artist based in Germany. In 1986 he started his study in computer Sciences, and he started working as a graphic designer and animator in 1991 in the company Adonis, a company he founded with his friends, and produced 3D computer animations and computer graphic. In 2006 he started producing/directing films starting with the documentary ‘The Sons of Eilaboun’, that won Al-Awda Award in Palestine, followed by the short fiction film ‘Just another day’, a film that deals with the Arabs in the western world after September 11 attacks. In 2010/2011 he produced the short fiction ‘Before you is the Sea’, a film about the Middle East peace process in a form of a love story between a Jewish woman and a Palestinian man. In 2019 he started working on his animated short film Don’t Cry, terminated in February 2022 because of covid19.
What's the absolutely necessary ingredient to be a good filmmaker?
Talent and passion are the most important ingredients. The talent is responsible for the creation, and passion is the drive.
First and last cinematographic crush?
The Italian film Cinema Paradiso by Giuseppe Tornatore was the first film that really changed my view on cinema.
Last I don’t know, I saw many films that blew my mind, from all around the world, Italy, South Korea, China, Japan, Spain...I think the South Korean film 3-Iron by Kim Ki-duk
How old you were when you decided you wanted to be a filmmaker?
When I was around 9 years old, I started acting in the school plays, and even at younger age I started drawing. Since then, I knew I will be a filmmaker and visual artist. With animation and visual art, I started in the early 1990s and I began writing and directing films in 2006.
For you a Film is...
A film is a visual message and an expression of an important idea.
What do you feel when you're directing?
I feel self-satisfaction.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna watch it?
This is a hard question to answer, because I am a fan of the works of artists and not them personally. I am never interested in the person, but I admire their work. All I can tell you is that I would go to watch an Italian film. The “who” is hard to answer because of what I wrote above.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
Definitely, Impossible only takes longer!
Can you live just of your passion?
Unfortunately not, I work as a Software Architect for a living.
What's more important talent or luck?
This is a hard question; I think one needs both. Vincent van Gogh is a good example of a talented artist that did not have luck. And luck alone is good for other things than art, and I see films as a form of art.
You must go to a desert island but you can bring with you just one movie...
The Italian film The Star Maker by Giuseppe Tornatore.
A film that is written and directed by one of the most amazing filmmakers and starring by one of the most talented actors.
Have you ever accepted a movie to direct even if you didn't like the project?
No.
What's the best compliment you have received about your Job?
When in 2008, Ramiz Jaraisy the mayor of Nazareth back then, called my documentary The Sons of Eilaboun “the most important film about the Nakba” (1948 Palestinian expulsion).
An indirect compliment concerning the same film, historians (at least two) use The Sons of Eilaboun as a reference for oral history.
When I was asked by a historian to write a chapter about the historical events from the Sons of Eilaboun in the book An Oral History of the Palestinian Nakba.
Are you satisfied about your career?
It is going slower than I would like because of funding, but otherwise yes.
Do you have a good luck charm?
No.
Which is the worst moment on set?
In my case, when filming my short film Just another day, at 2 a.m. during the last day of shooting, the main actor started laughing uncontrollably each time he started his line. We had to do a long pause for him to relax.
How do you feel when a job you've been part of is ending?
I feel proud and satisfied.
Have you ever lied to get a job?
No.
If you should win an Oscar your first thought would go to....
My family.
Elly Cho - Interview
Elly has exhibited around the world and holds numerous awards. Her art explores the intersection between nature, the environment and human behaviour, across various mediums including mixed media, video and performance art. Cho’s approach to art making, is largely inspired by the relationship between nature, environment and the viewer’s perception to nature based on their personal history. She approaches the subject matter of cultural landscapes in narrative form, and these narratives often relate to her own life experiences and memories. In her video work, She has used familiar landscapes that stimulate viewers to engage with an imaginative response. Cho holds a BA and MFA from the Slade School of Fine Art in London and an MA in Art Education from Columbia University. She taught visual art courses as well as theory at universities in Korea.
What's the absolutely necessary ingredient to be a good actor?
A good actor is modest while still trusting that she is a great actor. She is someone who appropriately assesses her skills to identify not only her strong points, but also her weak points.
First and last cinematographic crush?
My first cinematographic crush is the dinner table scene in The Cook, the Thief, His Wife & Her Lover by Peter Greenaway. I liked the color illusory quality of that scene and how it constructs the theatrical, intellectual, and framed-painting-like qualities that resonate with me. It seemed like a moving painting or a gallery to me, which I loved.
How old you were when you decided you wanted to be an actor?
I was 5 years old when I decided to become a painter, and I have never wavered in my decision.
The thought of becoming an actor never entered my mind when I was young. It was always painting or drawing that attracted me and enabled me to engage my creative nature. It was always something to do consciously and with creativity, which I enjoyed a lot. Then when I moved from Switzerland to London for college, and I discovered that I liked directing a creative piece rather than being in it during my studies in London.
For you a Film is...
Film is a medium I use to depict a subject matter in my artwork. As I am inherently a painter, I tend to relate everything to painting. My visual concepts are all from paintings, and I use my drawings for my film and video.
What do you feel when you're acting/directing?
I have fun directing a performance or film. I like the excitement that comes with directing. When I am with an actor, singer, or dancer, I feel excited. My ideas become clearer when I decide to work with an actor.
You can go to the Movies with an actor that you love. What kind of movie do you choose and with who you're gonna watch it?
I would go with my favorite actors Ewan McGregor, Woo Sung Jung, and Seung Heon Song and actresses Meryl Streep, Elizabeth Winstead, and Jun Ji Hyun. We would watch an action film together.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
Hepburn’s quote is truly inspiring because I realize that what we do always helps build us up. She was speaking about self-confidence, self-doubt, and believing in yourself. Keep questioning yourself, plan your move accordingly, and keep working until you make your dream a reality. A combination of self-doubt and overthinking could be the worst thing, which is why we become our own worst enemy. I try to answer myself and ask for help when overthinking happens.
Can you live just of your passion?
No you need money as well to achieve your passion. I think these two go together in my experience as an artist. As I am taking off on this journey, I get excited about the opportunities opening up to me for my feature film.
What's more important talent or luck?
You need both these days to survive as an artist—although not everyone has talent, I guess. Talent is natural and luck is luck...so I guess talent is more important.
You must go to a desert island but you can bring with you just one movie...
It would have to be my own movie, The Eclipse Recognized by the Sound. This film is very dear to me in that it depicts all my memories of moments of fear, happiness, and dreams. It was also my first film using actors.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
Well, there was a project where the subject matter was new to me, but I liked doing the research for it. This project was for Sulwhasoo (a Korean cosmetic brand). I was invited to their annual Sulwha Cultural Exhibition in 2016. I was commissioned to respond to the most popular Korean traditional tale, “The two love stars: Altair and Vega,” at the Sulwhasoo flagship store in Seoul. Thanks to this exhibition, I learned many things related to the Korean traditional tale. I always like learning new things, but this was a fun project that resulted in a 2D animation production.
What's the best compliment you have received about your Job?
Well, I wouldn’t call it a job, but for my artwork I have received comments such as “you did an amazing job on your performance piece/innovative film and are a compelling nominee.” When I get such compliments, I get excited about my next project and get the courage to plan for a bigger project, which I am doing now.
Are you satisfied about your career?
I am so excited about my new work, which is a documentary film that includes dance in it. I can’t wait to share my upcoming performances in 2023.
Do you have a good luck charm?
Bokjori (a lucky bag) is said to bring good luck if hung inside the house from New Year's Eve to New Year's Day in Korea. I have many of these at home, but I cannot say that they have given me any luck in life. I usually don’t believe in these sayings. I rely on working hard on my artworks. I believe you can make things happen if you keep trying your best in your passion, which I feel is more important than luck.
Which is the worst moment on set ?
The worst is when I must change my plans because of a financial situation. I try to stick to my plan as much as I can, but yes this would give me problems when planning a set for a film.
How do you feel when a job you've been part of it's ending?
When the exhibition or performance is over, I usually feel a great sense of satisfaction with the project. When a critic approaches me with feedback about my work, I learn more about what I could do better in my project. Talking to critics has helped a lot.
Have you ever lied to get a part/job?
Not really. I am a very down-to-earth person.
If you should win an Oscar your first taught would go to....
I would thank my entire team and my family for their tremendous support. I think I would also immediately start thinking about my next project. What I want to achieve in my next project always comes to my mind when I finish my current project, so if I won an Oscar—the greatest award—I would be even more excited for my next project.
Haley Seppa - Interview
Haley Seppa is a filmmaker, photographer, and digital artist with a degree in Film Studies from UC Berkeley and is currently pursuing her MFA in Cinema at San Francisco State University. She is a first time Director, Producer, and Writer. As an artist, she has a passion for representing the intimate and candid moments of relationships, whether they are friends, family, or anything else along the spectrum. Many of her projects incorporate traditional narrative storytelling and framing, with the less represented discourse of queer relationships, thus allowing a space to subvert traditional representations and create new forms of critical inquiry in familiar visual language. Her previous work includes Production Coordinator for the award winning Sundance feature film "Connected "and Production Assistant for "The Future Starts Here" AOL series and the "Let it Ripple: Mobile Films for Global Change" series by Tiffany Shlain.
Do you prefer Comedy or Drama?
Depends on my mood! I love both at different times, and especially when you can do both at the same time.
Life imitates Art or Art imitates Life?
Art Imitates Life - and there is so much to life that we aren't (currently) capable of being consciously aware of.
Which is the best moment on set?
When the cast and crew are working as a fluid unit. There is a MAGIC to so many people coming together to create art, especially when they are all on the same page and working cohesively.
Did anyone ever tell you weren't good enough?
Yes - I have also had a lot of people relay this in actions instead of words!
How can you stay focused on your goal?
I have found that what works best for me is to try and ride the wave of focus/productivity. Sometimes I can go and go and go and am so productive, but if my mind and body aren't in it, I am just wasting time, so I need to build in those breaks when that happens. I also think it is really important to surround yourself with people who will help remind you of the goal when you forget or can't see it. We are not in this alone.
Have you ever had a breakdown because of your Job?
Not my current job but in the past, yes. There was a time that I was getting sick every 3-4 weeks because I was so stressed and hated going to work. It took an extreme toll on my body, mind, and spirit.
Talent is a blessing or a curse?
Deeply depends on how you utilize it.
What would you like to improve about yourself as Filmmaker?
I have some memory issues from an accident and some trauma that happened 7-10 years ago so my recall is not as good as I would like. It is something I am constantly working on so that I can communicate more clearly and efficiently, especially with directing.
What's the worst critic you have received?
That my ideas didn't fit someone else's vision and therefore I should change my content. It was an eye opener that I wasn't working for the right people or on the right project!
If you weren't a filmmaker what would you like to be?
I am many things outside of a director and filmmaker already but I would have loved to be a firefighter or pilot. I also wish I had a secret talent, like singing.
If Cinema was a color what would it be?
White - because it is created by the primary colors all coming together as one. Much like filmmaking, with so many different and seemingly separate pieces that come together to create something new.
A day without a movie is...
One where I am out exploring the world.
If someone offered you to direct a movie that you despise but that for sure will make you rich and famous...would you accept the job?
No - I have to be deeply emotionally interested and invested in a film. Otherwise the results will be forced and I wouldn't do justice to the art of it.
What's your greatest ambition?
To experience deep and long lasting peace.
What's your biggest fear?
Dying alone or losing loved ones too early.
Does music helps you to direct, write?
Whatever corresponds well with the subject matter of the project. Music is such a guiding force for visuals so I tend to deep dive into whatever fits the piece I am working on.
You have the chance to make a Silent movie, what's your message to the audience?
The absence of sound can say as much or more than active use of sound, if done properly.
Share your speech if you should win an Oscar.....
Black Lives Matter. As story tellers, we have the opportunity to make the world a better place by having people feel seen and understood. We have a responsibility to do it ethically and to use our influence for good. I am so grateful to everyone who has helped me along my own path to becoming a better human and storyteller. This is not a solo sport and I have a phenomenal team of folx behind me who deserve all of the recognition. I am so grateful for the opportunity to be here, every, single, day.
Nicolas Bullentini - Interview
I am an actor, rapper, martial artist, and director from Reno, NV. My most recent project is a martial arts action comedy called, “Just Another Day in Reno”, which is a multi-award winning short film that I wrote, produced, directed, choreographed, and played the lead role in. If you haven’t guessed it yet, I love absolutely love action and comedy. Please don’t make me choose between the two. I dual majored at the University of Reno, Nevada in Psychology and Philosophy receiving a bachelors degree in both. I believe that film can be used as a means of helping people and making them think deeper about life and themselves. I use psychology and philosophy on a daily basis when it comes to cinematography and just being an artist in general. In fact, I don’t think I would pursue a career in the arts if it wasn’t for these two factors constantly driving me in everything I do.
What's the absolutely necessary ingredient to be a good actor/director?
The absolute necessary ingredient to be a good anything in life is imagination. If you can think it, you can do it. The next and only other ingredient needed is persistence. To be able to persist through failure and even after winning is key to living a fruitful and successful life; no matter what faucet it may be, but especially when it comes to acting and directin. There is an old saying that you need to be the change you wish to see in the world. I believe that cinema, when used intentionally, is a great medium to reach people and teach them more about deeper concepts of life and the world around them.
First and last cinematographic crush?
My first cinematographic crush… that’s a tough one. It’s between Emma Stone and Emma Watson. There’s just something about those Emmas haha. My last/latest cinematographic crush is probably Awkwafina. I think she’s hilarious, and that’s a good way to make me fall for you haha. That or Michelle Yeoh, but that’s kind of been an ongoing thing.
How old you were when you decided you wanted to be an actor/director?
Ever since I can remember. Probably 5 years old. I always wanted to be an action star. I was always pretending to fight imaginary ninjas and I just always wanted to be the cool guy.
For you a Film is…
Captivating. It captures a vibe that otherwise would be intangible or unknown. It is a medium in which any form of expression can be conveyed. It is a modern art of the age old tradition of story telling. A film is a way of connecting to people on multiple levels. A good film will have you philosophizing about life long after the credits have rolled.
What do you feel when you're acting/directing?
Stress. Haha just kidding, although that is part of it. But I feel passion, alive, and adrenaline. I feel almost more human when I’m doing these things. It highlights all the emotions and things that make us who we are. It’s an elating feeling. I suppose that best answers the question: elated.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it?
Easy. Donnie Yen. I would definitely have to choose an action movie. I would love to get a breakdown of any fight scenes from him in real time, and just talk to him about the industry and what he thinks makes an action film click. Then I may leave the movie early and try to put together a fight scene with him in the parking lot haha.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
The true definition of impossible: Difficult.
Can you live just of your passion?
I would like to say yes to this. However, any good artist knows that passion alone doesn’t pay the bills. It does however make life worth living. Life without passion wouldn’t be worth living, so I suppose it would go hand in hand. You need passion to have fruitful life, however having passion alone will end up having you fall short. As in everything in life, balance is key.
What's more important talent or luck?
Both are important. Luck can get you in there door, but talent will keep you there. Talent will also get you in the door, but luck is much less likely to keep you there. I think talent is more important because it’s a skill you can actually hone in on. Luck is just that, you’re either lucky or you’re not. It can’t be practiced and disciplined into something more whereas talent can. Ideally you’d have both, but talent is much more important and long-lasting.
You must go to a desert island but you can bring with you just one movie…
Besides Lord of the Rings? Probably Everything Everywhere All at Once.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
You haven’t been in the industry long enough if you have never participated in a project you didn’t like or believe in. Especially when you’re first starting off. Anyone who has been lucky enough to love every project they’ve done or been in, just know we are all envious of you haha.
What's the best compliment you have received about your Job?
The best compliment I’ve received was on my film Just Another Day in Reno, which is a action comedy, was when I got a phone call from a friend in the industry whom I look up to and they were crying from laughing so hard. They could barely speak to me on the phone as they called me immediately after literally howling and couldn’t even get the words out to congratulate me. Technically it was the best compliment I never actually got because they couldn’t get the words out.
Are you satisfied about your career?
Never and always. I am always satisfied with where I’m at, no matter where it is in life and in my career. However, I do know that I can always do more and be better on my next projects. Never settle, always hungry, and content with everything in between.
Do you have a good luck charm?
The faith I have in myself to do good is enough.
Which is the worst moment on set?
There’s been a few. There is one that sticks out more than others, but I will say overall the worst moment is when the production comes to a wrap and you have to say goodbye to your 2nd family that you have made during filming.
How do you feel when a job you've been part of it's ending?
-Bittersweet. Depends on the job also haha. Usually relieved that the job is done and now the next project can be worked on. Also a bit sad. Some jobs you want to last forever because of the people that are part of it become like family or you really like the role that you are doing, but alas, all things must come to an end eventually.
Have you ever lied to get a part/job?
I can’t say I have. There was one roll I took on that I didn’t have the full experience they asked for, but between the filming time and the time I got the role I had practiced what I needed (which was rock climbing) enough in time by the film date that nobody was the wiser.
If you should win an Oscar your first taught would go to….
Let me get back to you guys on this as soon as I win that Oscar.
Shivaan Makker - Interview
Shivaan Makker also goes by Sullivan McGuffin. Originally hailing from New Jersey, he now resides in Los Angeles, California, graduating from the University of Southern California's School of Cinematic Arts in 2015. His films are largely influenced by cinematic catalysts including; Alfred Hitchcock, Stanley Kubrick, David Cronenberg, and Fritz Lang. Shivaan, or Sullivan, loves to write thrillers and create anything with suspense. Specializing in shorts, he has worked as an art director, writer, producer, and film director on various films including 'Room 203' (2014), 2 Brothers (2016), Inside (2016), and now Pastiche (2020).
When did you decide you wanted to be Filmmaker?
I have always had a passion for film.
How did your family react?
My father was a huge influence for me. He has always supported my decision.
Do you have a Muse or a Role Model?
Alfred Hitchcock, Stanley Kubrick, and David Cronenberg are some of my favorite inspirations.
Who's your biggest fan?
My dad.
What brings you inspiration the most?
Death and tragedy.
Which actor or director would you like to work with?
Anyone would do as long as we are on the same page.
Have you ever seen a film that was better than the book?
Yes, The Shining (1980)
What's the movie that taught you the most?
Psycho (1960)
About your artistic career, have you ever had the desire to quit everything?
When it gets tough, you never know how low the bottom is. So it is important to keep your head up.
On set what excites you the most?
Getting the show we need!
And what scares you the most ?
Disasters on set. That is why it is important to always keep all your ducks in a row.
What's your next project?
It will most likely be a documentary.
You can steal the career of an artist you really admire, who do you choose?
Probably Stanley Kubrick or Alfred Hitchcock since I admire them the most.
For you Cinema is....
Life!
Do you think Black and white movies have a powerful impact?
Yes, most of them are classics like Psycho (1960).
Christopher Sparks - Interview
Chris Sparks is an award-winning filmmaker, documentarian, writer, and stand-up comedian best known for his incredibly raw and real writing style. His experimental approach is undeniably poetic. Sparks' decision-making process can be observed throughout his work on Thank Me For My Service: A Veteran's Cry For Help. His fly-on-the-wall approach allows us to see firsthand the startling issues we face as a society cloaked in the name of service. Sparks' story is one that will not leave you after you watch it. The walking one-man show can be found on TikTok, Twitter, and Instagram. @mrmaryclarence
When did you decide you wanted to be an actor/director/ screenplayer?
I knew when I was four years old that I had an interest in exploring people's feelings in whatever medium would allow it. Forrest Gump was my favorite movie. I had my mouth washed out with soap for the first time ever for quoting the Drill Instructor in the movie. I recently decided I would pursue it fully and it is going well so far.
How did your family react?
My family panicked. They thought I was behaving erratically and out of character. They wanted to pin my traumatic brain injury on my behavior instead of listening to me. I'm still learning to deal with it. It's weird.
Do you have a Muse or a Role Model?
All the great comedy writers. Judd Apatow's Sick In The Head 1&2 is truly what motivated me to pursue this. Thanks, Judd.
Who's your biggest fan?
Probably John Goodman.
What brings you inspiration the most?
Stimulating conversation.
Which actor or director would you like to work with?
Jordan Peele
Have you ever seen a film that was better than the book?
No.
What's the movie that taught you the most?
Edward Scissorhands
About your artistic career, have you ever had the desire to quit everything?
Every day. It would be an easy thing to do.
On set what excites you the most?
Solving that puzzle.
And what scares you the most?
Not solving that puzzle.
What's your next project?
Not Our Problem Dude: NOPD Through the Pandemic
You can steal the career of an artist you really admire, who do you choose?
BJ Novak
An actor/director/screenplayer is made of....
Evoked emotions.
For you, Cinema is....
A gateway to a safe space. A mindful exercise.
Do you think Black and white movies have a powerful impact?
I don't think it's safe to say they didn't have an impact. They showed everyone how to make it work with what you have.
Have you ever dreamed of winning an Oscar?
No, that seems arrogant.
Do you think you're gonna win it?
No, that seems arrogant.
Laura Burnett - Interview
Laura Burnett started her career as an actress in Los Angeles. She studied Strasberg and Meisner and was in indie films and national commercials. She started studying Avid editing which landed her a job on the Dick Wolf true crime series, “Crime and Punishment.” From there, she worked in different areas of production on network tv shows for FOX, NBC, VH1, MTV. In New York City, she became an associate producer on A&E documentaries, such as “God vs Satan, The Final Battle.” and an independent film documentary about the corruption on Wall Street, called, “The Wall Street Conspiracy.” She has written, directed and produced 3 music videos; two of which were for the indie label Secretly Canadian for the band “Windsor for the Derby.” She wrote, directed, produced and starred in “Blind Truth” which is her first film and her directorial debut.
What's the absolutely necessary ingredient to be a good actress?
I feel each has necessary ingredients, but I would say listening and being open. First and last cinematographic crush?
The first director that inspired me was Steven Spielberg. I have watched Jaws probably a hundred times. It is one of my favorite films. I have many favorite films, but another one of my favorites was Close Encounter of the Third Kind. His films have this magic to them that is indescribable and the lift me up because they all have a heart. I love how he creates suspense. I also get so excited by his shots. Also, I love Alfred Hitchcock. One of my favorite films is Rear Window and of course Psycho. I love all his movies. There are so many magnificent directors. All the tops of course. I guess most recently I was astounded how Florian Zeller who directed “The Father” was able to make basically one location a gripping psychological thriller based on Anthony Hopkins memory. His performance was, wow, just incredible, but how he shot it and the editing was incredible. Also, David Lynch because I love how he takes artistic risks and I love his morning weather reports and music.
How old you were when you decided you wanted to be an actress?
I was probably 6 or 7. My cousins and I would do skits at holiday parties. My mother who loved cinema and had me watch all the classics. Said I was talented and should think about acting. Before that had a great passion for drawing and thought I would be a fine artist. I chose acting and studied for over 10 yeas in LA, but despite multiple agents, being in the union and multiple headshots, I didn’t get many auditions. If you don’t get auditions it is hard to book work. I got in the union on one project, had some call backs and went to network once but didn’t book. So after 12 years where I was in a few low budget indie films from Backstage but not booking paid work, I decided to go into production and later filmmaking.
For you a Film is...
A creative expression of a story.
What do you feel when you're acting/directing/writing?
I feel alive, happy and ecstatic. With acting, I get into the character and when the scene works and feels real or right; I am happy. With directing, it’s different. My imagination sails. I am so happy having visions of the story and the shots. Screenwriting provides the same feeling. All of them make me happy like a light bulb has gone off inside me.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna watch it?
Maybe an old classic, a thriller, sci fi or a comedy. I am pretty open. I am not sure who that would be, but someone who appreciates the art of cinema.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
I feel it is true for anyone who believes it.
Can you live just of your passion?
Well, adjacently. I have worked in different areas in the business that are excellent and excellent to know, and I have acquired many skills that I enjoy and am thankful for. I am so grateful I have been able to work consistently for so long and I have valuable experience. I am naturally creative, but haven’t been able to make a living from the creative roles in the business as of yet. Sometimes life is a compromise, but I found a way forward while doing my passion on the side.
What's more important talent or luck?
I think luck. Many lucky people may not have the talent that someone who isn’t lucky has. I think both are necessary for a long career, but I have heard stories of lucky people for instance never knowing acting let’s say but were booked in a project that made their career and had to take classes after their success. Or just moved to LA, and they had the right look and fit the part and got booked. That is great. I have met many very talented people who didn’t have luck and had to let their dreams go as well. But both are needed for a long term career, but in the beginning, luck is great to have.
You must go to a desert island but you can bring with you just one movie...
Star Wars Last Hope.
If I could negotiate, or had a chance to slip two more in a box, I would have one box and 3 movies; Star Wars Last Hope, Empire Strikes Back and Return of the Jedi.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
No. I was working for a company that produced reality series and was told to audition for one. I hadn’t seen it yet, but they really wanted me to audition. I did and just had fun and I received a contract to be a part of that season. After watching an episode of the show, I decided not to take it. I didn’t feel I was a good match. I called my agent and told them and they advised me not to and agreed with me but said I could do it if I wanted. I chose not to. Maybe my life would have been better if I had, but that is what I chose.
What's the best compliment you have received about your Job?
I am so good at what I do no one wants to let me go. I save the company so much money with my negotiations, relationships and skills, they make money on me as an employee even with my salary.
Are you satisfied about your career?
I have learned a lot and stayed working for many years, so that is a blessing. I would love to advance in my career and do projects where I can use my creativity more and create.
Do you have a good luck charm?
No.
Which is the worst moment on set ?
I haven’t had a bad moment on set luckily.
How do you feel when a job you've been part of it's ending?
I was only sad about one series I worked on when it ended because we traveled together around the country and everyone was so great!
The people were so nice it made the work wonderful.
Have you ever lied to get a part/job?
No. I, for some reason can’t lie.
If I can’t do something and I don’t feel confident about it, I just say it. I am honest and straightforward. I am just built that way. And I have not gotten jobs because of it, but it’s just my nature. I
f you should win an Oscar your first taught would go to....
God or something larger than myself whatever you want to call it.
Joseph Messer - Interview
Joseph is a California based writer/performer best known for the music video “I am the Candidate” which has won 140 awards worldwide in the past 12 months and it’s still kicking. His new soundtrack “I Wanna Be A Vampire” is rising through the festival ranks as well and hopefully can connect with someone interested in doing justice to the video as it is beyond his capabilities. Joseph also paint and work with cement sculpture but: "I find music is the most fulfilling way for me to create, then combining it with video it really takes your story to the next level" he says.
Do you prefer Comedy or Drama?
I prefer comedy to drama because life throws enough drama at you, on a daily basis, and laughter makes that much easier to deal with.
Life imitates Art or Art imitates Life?
I think that art imitates life because the recognition of beauty is a reflection upon existence itself. Art is an observation of an expression of life.
Which is the best Moment on set?
My best moment on set is when everyone is suddenly in sync making all their parts come together to become one to make everything happen on film both in front and behind the camera.
Did anyone ever tell you weren't good enough?
I’ve always been encouraged to go for it and haven’t had anyone tell me I’m wasting my time though I do have detractors that remind me I'm not making any money. Not yet....
How can you stay focused on your goal?
I stay focused on my goal because I enjoy the pursuit itself and that’s good enough.
Have you ever had a breakdown because of your Job?
I’ve never been stressed about film making because it’s not how I pay the bills and that makes all the difference.
Talent is a blessing or a curse?
I think talent can be both a blessing and a curse. It is so satisfying to pursue and succeed at something that you naturally gravitate to, but to aspire to something that you are somehow unable to ever reach for or achieve for would be soul crushing.
What would you like to improve about yourself as an actor/director, screenplay?
I would like to improve my work discipline as a writer because I have grand ideas while my fortitude snoozes in the background.
What's the worst critic you have received?
honestly haven’t had a bad critique yet. That might sound puffed-up, but I’ve only made one video and it’s been well received winning over 140 awards so far.
If you weren't an actor/director/screenplayer what would you like to be?
If I wasn’t writing or performing, I would like to direct. It combines all the aspects of production into one job, and you get an invaluable hands-on oversight in the creation of something.
If Cinema was a color what would it be?
If Cinema were a color, I think it would be blue. The softness of the deep hues contrasting with the fluorescent brightness of the lighter ends of the spectrum well represents the perception of Cinema upon the psyche
A day without a movie is...
A day without a movie is a day spent lost in your own ideas for movies. That’s not a bad thing at all.
If someone offered you to play/write in/a movie that you despice but that for sure will make you rich and famous...would you accept the job?
I would take part in a film I didn’t like, and then I would do my absolute best with whatever I had to work with. Even if it was crap, I could feel that I did my part in the production to my gut-wrenching best and would have nothing to regret.
What's your greatest ambition?
My greatest ambition is to create something within my niche that really reaches people on some level. To get the message that I want to say out there in front and have it really become effective.
What's your biggest fear?
My biggest fear is giving up.
Does music helps you to play/direct, write?
Music helps me in all facets of creation, and it has always been a driving and motivating force in my life.
You have the chance to make a Silent movie, what's your message to the audience?
My silent movie message would be “Believe your own eyes”.
Share your speech if you should win an Oscar.....
If I won the Oscar, I would thank all my friends and family that have stood with me and encouraged me throughout all my endeavors, whether they were successful or failures. Mostly failures. Thanks to my directors and producers that were so instructive and inspirational. Thanks to my fellow performers and writers for their assistance in my understanding of the craft. And thanks most of all to those that enjoyed my work. That is the most rewarding fete of all.